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— Epic Rocking is the phenomenon where bands release really long songs that either seem to twist and change gears a million times before ending, or just manage to sustain themselves for their prolonged duration. More common in the '60s / rock era and in the '70s period. Also quite common in many forms of, particularly in the realm of,, and, as well as most forms of music (seriously, in the metal genre—apart from,, and — long tracks are easily more the rule than the exception). This trope is the polar opposite of: Instead of a short song with lyrics and catchy beat that anybody can play, these bands focus on deliberately complex songs where playing is a matter of superior technical skill and everything else is secondary to the instrumental showmanship and considerations of the sound itself, even lyrics. Note There are exceptions, however; were notorious for building epic-length songs on as little as a single chord..

When there are lyrics, expect an to precede them. Songs featuring this trope also often feature, since changing time signatures helps maintain the listener's attention in a longer composition, and (which is the same thing, but for key signatures). Done right, they maintain the listener's attention and sound really cool, sometimes. Telecharger Processing Definition. Done poorly, they just ramble, cause yawning, and suffer chronic.

Put Epic Rocking in a and you have an instant. This trope also has the subtrope 'Epic Jamming', which is.

Only studio versions are included, since live examples would bloat the list to hell. Many of those songs have a for everyone's sake. And for clarity's sake: This is a trope about long songs. Not about awesome songs. Please don't add a short song here because it's awesome (we have for that) or delete a long one because it's not awesome.

The trope doesn't apply to compositions either, as any work involving an orchestra can be expected to last from ten minutes up to several hours with very little 'rocking,' although it certainly may be epic. Also, this trope only applies to songs 6 minutes or more, anything less is too short to qualify. •: 'A Quick One, While He's Away', 'Underture', 'We're Not Gonna Take It', 'Won't Get Fooled Again', 'Who Are You', 'Eminence Front', 'I've Known No War'. • 'The Song is Over' deserves special mention.

It's the one song that Pete Townshend has sworn he'll never play at concert, because it would simply be impossible for four people to play all the parts it requires. • The Live At Leeds versions of 'My Generation' and 'Magic Bus' clock in at 15:47 and 7:48, despite being 3 minute songs originally. In live performance, 'My Generation' is regularly extended by incorporating quotations from other songs in their catalogue. •: As far back as, there was 'Rocket Queen'. I and II had several more, including 'November Rain', 'Estranged', 'Locomotive', and 'Coma'. • 'Paradise City' from Appetite is a possible example, considering it clocks at nearly 7 minutes and gets faster and faster as it goes. • From Chinese Democracy, we have 'There Was A Time', which clocks in at just above 6:30, and two other 6 minute tracks, 'Sorry', and album closer 'Prostitute', which is pretty epic in the same way as 'Paradise City'.

Among the fans that actually like Chinese Democracy, 'There Was A Time' is widely considered the most epic song, and during at least one of the concerts found on Youtube (from the LA Forum, December 21, 2011), you can hear the audience shout 'THERE WAS A TIME' at several times, more and more frequently as the concert progresses. •: 'Dahlia,' 'Silent Jealousy,' 'Forever Love,' 'I.V.' , 'The Last Song,' 'Tears', 'Rose of Pain'.

• And then there's 'Art of Life'. 30 minutes studio version, 33 minutes performed live. • 's overblown, symphonic style of rock includes lots of examples: 'Bat Out of Hell', 'I'd Do Anything for Love (But I Won't Do That)', 'Paradise by the Dashboard Light', and so on. Jim Steinman, Meat Loaf's principal songwriter, coined the term 'Wagnerian Rock' to describe this style, and is at least partly responsible for its epic excess. Witness Steinman's productions for artists like Air Supply ( Making Love Out of Nothing at All), Celine Dion ( It's All Coming Back To Me Now, which Meat Loaf would eventually ), and Bonnie Tyler ( Total Eclipse Of The Heart), and 's willing participation, as producer and lead guitarist on Bat Out Of Hell, are both mysteries that will probably never be solved. • Mother Love Bone: 'Chloe Dancer/Crown of Thorns' •: 'Cortez the Killer', 'Down By The River', 'Pocahontas'.